Nicole Kidman’s new film, Babygirl, has stirred controversy online, with fans speculating about Tom Cruise’s reaction to his ex-wife’s explicit scenes with a younger co-star.

Nicole Kidman has admitted to being nervous about how her latest steamy film would be received – after Dutch writer-director Halina Reijn called the new film, Babygirl, an X-ray-style examination of “kink”.

RadarOnline.com can reveal the Oscar winner, who is no stranger to erotic thrillers, said she has never done anything “like this”.

In the film, Kidman plays a married CEO who embarks on a hot and steamy relationship with a young intern played by 28-year-old Harris Dickinson.

Following the premiere, one critic praised the film as a “21st Century Fatal Attraction,” while another called the film “tremendously horny”.

A third praised Kidman’s “delicate, intimate and very, very deep” performance.

The writer-director says Babygirl is an “x-ray of kink” and hopes to address the “huge orgasm gap” between men and women with the film.

Reijin, 48, created the lead character of Romy specifically for 57-year-old Kidman. The flick marks Kidman’s return to erotic, edgy roles like Eyes Wide Shut in 1999 and the gangster drama Dogville in 2003.

Kidman herself acknowledged Babygirl is unlike anything she has ever done before.

She told Vanity Fair: “I’ve made some films that are pretty exposing, but not like this.”

Babygirl opens with Romy faking an organism with her husband Jacob, played by Antonio Banderas, 64, before sneaking off to watch a kinky video alone.

The film only gets raunchier from there.

Kidman said: “This leaves me exposed and vulnerable and frightened when it’s given to the world. I was like, ‘I hope my hand’s not shaking’.”

Kidman’s latest movie comes 25 years after she and her then-husband, Tom Cruise, 62, starred in Stanley Kubrick’s Eyes Wide Shut.

That film had to be altered in the editing booth because it was so sexually explicit it couldn’t be released in theaters.

Kidman, who has been married to country star Keith Urban, 56, since 2006, opened up about the feeling of trepidation ahead of Babygirl’s release.

She said: “It’s like, ‘Golly, I’m doing this, and it’s going to be seen by the world’. That’s a very weird feeling. This is something you do and hide in your home videos.

“It is not a thing that normally is going to be seen by the world. I felt very exposed as an actor, as a woman, as a human.”

Kidman’s new role follows her major success on the small screen in Big Little Lies and The Undoing for HBO and Nine Perfect Strangers on Hulu.

Her other new series, The Perfect Couple, drops on Netflix on September 5, 2024.

Babygirl, which recieved a seven-minute standing ovation at the Venice Film Festival, hits theaters on Christmas Day.

Nicole Kidman’s latest film, Babygirl, has certainly caused a stir with its steamy and provocative content. As a seasoned actress, Kidman admitted to feeling nervous about taking on a role that pushes the boundaries of her comfort zone. The film has been described as an “x-ray of kink,” delving into the intricacies of a hot and steamy relationship between Kidman’s character and a young intern.Critics have praised Kidman’s performance in the film as delicate, intimate, and deeply engaging. Some have even compared Babygirl to iconic films like Fatal Attraction, showcasing the psychological depth and intensity of the narrative. Kidman’s return to erotic roles reminiscent of Eyes Wide Shut and Dogville has added another layer of intrigue to her already versatile career.Despite her experience in the industry, Kidman revealed that Babygirl pushed her to new heights of vulnerability and fear. The raw and exposed nature of the film left her feeling apprehensive about how it would be received by audiences worldwide. However, she embraced the challenge, recognizing the importance of exploring complex and taboo subjects through her art.Kidman’s willingness to tackle such daring roles speaks to her dedication to her craft and her commitment to engaging with challenging material. As she navigates the complexities of relationships, intimacy, and desire on screen, audiences are given a glimpse into the depths of human emotion and the intricate web of connections that define our experiences.In a world where artistic expression often pushes the boundaries of societal norms, Kidman’s performance in Babygirl serves as a reminder of the power of cinema to provoke thought, spark discussion, and inspire change. As the film continues to garner attention and accolades, Kidman’s fearless approach to her work cements her status as a true icon of the silver screen.

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Source: Tampa Bay Times

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